Mali, Mopti, dried Fish
Photographs
- Documentary work usual with creative but minimal Photoshop adjustments for example by combining photos I took from one scene in the polder on different moments (with specific colors such as a yellow corn field with wind mills or with close-ups of agricultural machines) in different layers. This results in an almost undetectable derealization (such as a sunny field in a cloudy landscape). Humans and objects are usually also undetectably minimally changed. A slightly deforming filter does not show reality but it does provide a clear image of the scene.
Characteristics are bright colors, detail photos and combinations of photos ( e.g. two parts of a sluice painted in white, blue and red which show a totally different view of the sluice once combined). I also try to provide a slightly altered look of humans in their surrounding in my photos.
- Documentary work usual with creative but minimal Photoshop adjustments for example by combining photos I took from one scene in the polder on different moments (with specific colors such as a yellow corn field with wind mills or with close-ups of agricultural machines) in different layers. This results in an almost undetectable derealization (such as a sunny field in a cloudy landscape). Humans and objects are usually also undetectably minimally changed. A slightly deforming filter does not show reality but it does provide a clear image of the scene.
Characteristics are bright colors, detail photos and combinations of photos ( e.g. two parts of a sluice painted in white, blue and red which show a totally different view of the sluice once combined). I also try to provide a slightly altered look of humans in their surrounding in my photos.
Characteristics are bright colors, detail photos and combinations of photos ( e.g. two parts of a sluice painted in white, blue and red which show a totally different view of the sluice once combined). I also try to provide a slightly altered look of humans in their surrounding in my photos.
- Documentary work usual with creative but minimal Photoshop adjustments for example by combining photos I took from one scene in the polder on different moments (with specific colors such as a yellow corn field with wind mills or with close-ups of agricultural machines) in different layers. This results in an almost undetectable derealization (such as a sunny field in a cloudy landscape). Humans and objects are usually also undetectably minimally changed. A slightly deforming filter does not show reality but it does provide a clear image of the scene.
Characteristics are bright colors, detail photos and combinations of photos ( e.g. two parts of a sluice painted in white, blue and red which show a totally different view of the sluice once combined). I also try to provide a slightly altered look of humans in their surrounding in my photos.
Sand dune "" La dune Rose" Gao, Mali (on top, detail)
Dogon girl (first time she got a MP3 player, (she heard music for the first time, she is only used to listen to live music)
Behind closed doors: archeology object, all archaeological material disappears below the newly built houses
Behind closed doors (the Photo) archeology object, all archaeological material disappears below the newly built houses
Red blue white
Red Blue White
Lowlands
Lowlands (detail dress)
Tryplich:
Gold... The Salt of the earth 2010 2x 50x60 cm
Schoolproject Water
digital photo 4x 1 meter
Polder at the seabottom 160 x 30 cm (sold)
Detail
New Past (Nieuw Verleden) artwork in the woods in Flevoland
" Polderkleuren" Geel
"Poldercolors" Blue
Silence on the playground, memories of the past-100x50 Gogyoshi Art Project
Winter in Amsterdam, skating and having fun on the frozen cannals